I first came across the Elmet series of poems by Ted Hughes when I was writing my BA Fine Art dissertation on 'Representation of the South Pennines' and they immediately struck a chord, echoing many of the themes that I was already pursuing in my own studio practice; the landscape, people and villages of the area and the sense of steady decline in the old industries. He was writing as someone born into the Pennine community of nearby Todmorden; I was seeing the area with the eyes of an 'incomer' - albeit of 25 years duration.
The original book was illustrated by Fay Godwin's photographs and although I thought them interesting, I found different images coming into my mind as I read the poems.
This year I have finally begun a project that I fleetingly considered then, and have been exploring my own ceramic interpretations. I hope that you will find them interesting.
Keith Sagar has written an excellent article on Ted Hughes and the Calder Valley which describes his links with the area and the gestation and inspiration behind Remains of Elmet.
The text only version of Remains of Elmet is published by Faber & Faber